The Master and Margarita by Mikhail Bulgakov
When I think about characters depicted in the history of religion, the character of the devil and the mystery surrounding him (or her) is by far most fascinating. For one, there is no agreement on where he comes from. Was he a creation of God that had to exist to oppose what is good and just and to create a universal balance that must be maintained in order for life to be what it is? Or was he a little jinni that refused to bow down to a human, and was cursed to eternity by the Almighty?
In the way he behaves, does the devil target individuals and societies and rummages through them creating havoc and chaos? Or is he, like God, closer to us than our own veins?
Can he be spoken to like God is prayed to? If so, does he answer our pleads the way God (some claim) answers our prayers?
And what powers does this devil have? Can he start a fire or cause an accident by flicking a switch when no one is looking? Or does he whisper in our ears convincing us that all that is good, is really bad?
The Master and Margarita begins with a conversation between an editor of a literary magazine and a poet. They briefly dicuss the existence of God before they are gently yet awkwardly interrupted by a stranger, who in turn gets slightly agitated that literary pair do not believe in God, or the devil for that matter. From then on, readers are introduced to some of the most charismatic characters in literature. The stranger and his retinue create some of the most memorable chaotic moments, and wreak havoc across Moscow in fascinating and mesmerising ways.
While the stranger and his friends are visiting Moscow, the author takes us back to the moments before the execution of Jesus. He introduces us to Pontius Pilate, the Roman procurator who approved, against his own will, the execution of Jesus. In between the two storylines, he subtly weaves in a third about a lady called Margarita and her lover, the master.
The seriousness of the three stories is told with such a light-hearted, and at times hilarious, prose that I constantly had to remind myself that there is a deeper meaning behind the highly entertaining plot. In one way, the book can be treated as a page-turner. I am sure you will love Behemoth when you meet him, and the love story will make you feel all fuzzy on the inside. In other ways, the book serves as a reminder of how one had to write in an oppressed society. If you were an opinionated writer who was reluctant to lose their life, and Stalin was the leader of your country, you too would find ways to offend without appearing as if you were offending. It just so happens that Mikhail Bulgakov was an amazing writer who told an excitingly bitter story without appearing too bitter, and produced one hell of a book.
The one thing I love about the Russian books that I have read including this one, is their inherent tendency to sympathise with a character who is not necessarily good. In portraying evil, they always show a side of a character or introduce an event that makes you think that maybe this one time, evil was the right way of addressing it. The grey lines between good and evil are quite bold in Russian literature, and this book is the best example of that.
Of course, like most great books, there are tens (if not hundreds) of themes and symbols throughout the book. Having fun picking them out!
In the way he behaves, does the devil target individuals and societies and rummages through them creating havoc and chaos? Or is he, like God, closer to us than our own veins?
Can he be spoken to like God is prayed to? If so, does he answer our pleads the way God (some claim) answers our prayers?
And what powers does this devil have? Can he start a fire or cause an accident by flicking a switch when no one is looking? Or does he whisper in our ears convincing us that all that is good, is really bad?
The Master and Margarita begins with a conversation between an editor of a literary magazine and a poet. They briefly dicuss the existence of God before they are gently yet awkwardly interrupted by a stranger, who in turn gets slightly agitated that literary pair do not believe in God, or the devil for that matter. From then on, readers are introduced to some of the most charismatic characters in literature. The stranger and his retinue create some of the most memorable chaotic moments, and wreak havoc across Moscow in fascinating and mesmerising ways.
While the stranger and his friends are visiting Moscow, the author takes us back to the moments before the execution of Jesus. He introduces us to Pontius Pilate, the Roman procurator who approved, against his own will, the execution of Jesus. In between the two storylines, he subtly weaves in a third about a lady called Margarita and her lover, the master.
The seriousness of the three stories is told with such a light-hearted, and at times hilarious, prose that I constantly had to remind myself that there is a deeper meaning behind the highly entertaining plot. In one way, the book can be treated as a page-turner. I am sure you will love Behemoth when you meet him, and the love story will make you feel all fuzzy on the inside. In other ways, the book serves as a reminder of how one had to write in an oppressed society. If you were an opinionated writer who was reluctant to lose their life, and Stalin was the leader of your country, you too would find ways to offend without appearing as if you were offending. It just so happens that Mikhail Bulgakov was an amazing writer who told an excitingly bitter story without appearing too bitter, and produced one hell of a book.
The one thing I love about the Russian books that I have read including this one, is their inherent tendency to sympathise with a character who is not necessarily good. In portraying evil, they always show a side of a character or introduce an event that makes you think that maybe this one time, evil was the right way of addressing it. The grey lines between good and evil are quite bold in Russian literature, and this book is the best example of that.
Of course, like most great books, there are tens (if not hundreds) of themes and symbols throughout the book. Having fun picking them out!
